- All the masks to be larger than lifesize, with costumes, enabling humans to be inside.
- All the characters must be mobile, so that we can form a procession and walk down the street.
- There will be a series of workshops, announced to the public, where people help to make large papier mache heads. Other people will be involved in sewing the costumes.
- Collect some ideas for figures
Automatons for publicity
I am trying to design an automaton that could be stood in the street anchored, (temporarily) to a lamp post or telegraph pole. They could be left around the town in various spots, but only for a few days, and then they would be re-tethered elsewhere.
The idea is that these little objects invite a passersby to turn a handle. An unseen mechanism causes a head to arise from the box-like object and at the same time its arms will rise akimbo. A sort of wing like thing can be trailed to the lower edge of the arm, something that folds back into the slot of the box.
At the height of the head, with a lot of neck showing and the arms straight out, there is a click and the handle stops while the head and arms return to folded position back in the box. At the base of the box, near the creature’s feet a little door opens and a printed card is deposited on the floor. It is an advertisement for the gallery.
Feeding this creature with little cards will enable us to see how successful it is being at attracting attention. Outside the box will be brightly and gaily painted.
This is only the prototype. All sorts of variations can be designed.
Stoutly made and firmly tethered, I guess these objects should stand a lot of ware. It will be interesting to see. Care must be taken to see that they cannon cause harm.
In this way, among others, we can arouse interest in the Gallery.
So far I have come up with an idea of how to construct a flat 4’ high box that contains a sliding wooden section with a place for a head. Some of these components are now cut out, but I am designing on the hoof. It is curious to observe the way the mind gophers about inside the gormenghast of our minds and comes up with a bright idea. It is very invigorating to be forced to think outside the box, to enter completely new territory, how to make a crank lift a weight, how to use that lifting to power other processes that may be triggered later. Much can be accomplished with string, pulleys and weights in this respect. The use of rocking bars, cams, counterbalances, springs and so on, are engineering problems that the puppeteer endeavours to manufacture in wood, with a few bars and wheels of metal.
The process requires vision, foresight, not with too much precise, but a goal a nirvana. It depends entirely on our ability to imagine, to throw a world view forward in time, into indeterminate space, and envisage a new reality. That facility, it seems to me, gifts us humans a great power. We can circumnavigate evolution by thinking out the pitfalls, foresee the niches and go for it, for the jugular.
I suppose that there is a selective advantage in having an imagination, just as there is a selective advantage in being, or be susceptible to being, a believer.